I have always been interested
in linear elements. When I was a girl, I spent many hours drawing with
pen and ink, as well as learning to crochet at my mother's side.
At an early age, I taught myse1f
to manipulate the threads into sculptural forms by counting stitches.
' At this time, my primary method of working is crochet, but because drawing
continues to be important to me, I now find that the threads and wires
I use mimic the cross hatching and irregularities of pen and ink drawing
(but in 3D).
I seek mystery in the shadows
of my work. Process becomes part of the content, and structure and surface
are achieved at the same time. The transparency of crochet allows me to
pursue forms that do not reveal themselves immediately, but draw the viewer
to contemplate the meaning and mystery of nature, including human nature.
It is a mistake to categorize
artists based on their medium, although most critics try to do so. Utilizing
fiber has become part of the mainstream art movement. All art considers
the craft of its chosen medium, and it is important to respect the integrity
of the material, and have an intellectual reason for the choice.
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